Sylvia
Rutkoff

Wisconsin | New York, NY — 1919–2011

A painter whose oils, sand, and acrylics carried the raw charge of expressionism without losing their sense of delight. Critics called her work vital, colorful, and alive, an artist who painted with both intensity and a rare simplicity.

Selected Works

A selection of original paintings available for private placement. Works range from small figurative pieces to larger abstracts. Pricing on request.


"Highly sophisticated textures that speak firmly and imaginatively... one thinks of a gay and colorful Dubuffet."

Gregory Battock, Art Critic

About the work

Sylvia Rutkoff with the painting “The Cowboy” 1960s

Sylvia Rutkoff with the painting “The Cowboy”

The New York Herald Tribune called her work "vital." The New York Times called her an "outstanding colorist." When major critics use words like that, they mean it.

The cache of paintings by Sylvia Rutkoff was recently discovered through her great nephew. This is an important and previously unknown body of American art, now being offered for the first time.

Sylvia Weinreb Rutkoff was born in Wisconsin in 1919, and spent her artistic life in New York, a city that shaped her sensibility and gave her work its particular charge. She studied at Hunter College in New York City, completing her MA in Painting and Art History in 1939, and went on to a career that earned her recognition from some of the most respected voices in American art criticism.

Her paintings, made with oils, sand, and acrylics — sit at the edge where abstraction meets something more instinctive. Arts Magazine described her work as "a happy wedding of the natural image to the violent immediacy of the expressionist idiom." You can feel the effort in every mark, but the colors tell a different story.

"Naive and primitive images in a refreshing and delightful manner."
— Gregory Battock, critic

Sylvia was also deeply rooted in the artistic community of her time. She belonged to the Vectors, an artists' group that included the Abstract Expressionists Ben Wilson, Frances Manacher, Rhoda Sklar, and Julius and Mary Shier. She taught art at Lehigh University during the summers in the 1960s and 1970s, and served as Director of the Art Workshop in the Graduate School at Fairleigh Dickinson University. Teaching mattered to her as much as painting did.

Exhibitions, Press & Recognition

Education

Hunter College, New York City                               MA in Painting and Art History, 1939

Exhibitions

Pennsylvania Academy of Fine Art
Brooklyn Museum, New York — Biennial, 1956
Butler Institute of Art, Youngstown, Ohio
Hudson River Museum, Yonkers, New York
International Young Artists Exhibition, Tokyo, 1962
Osaka University Art Gallery, Japan
Caravan Gallery, New York — two one-woman shows, 1961 & 1963
Capricorn Gallery, New York
Loeb Gallery, New York University
Gallimaufry Gallery, Croton-On-Hudson
Women's Interart Center
Key Gallery, SoHo, New York
Edward Williams Gallery, Fairleigh Dickinson University, NJ
National Juried Show, Summit Art Center, NJ
Creative Gallery, New York
The Riverside Museum, New York

Selected CLients

Mary McDonald                                            Walloons, Fort Worth                                           Kelly Wearstler                                                    Area Interiors, NYC

Press

Arts Magazine 
New York Herald Tribune — "vital"
New York Times — "outstanding colorist"
Gregory Battock, critic — extended review praising her Art Brut sensibility

Teaching

Lehigh University — 1960s–70s
Fairleigh Dickinson University                               Director, Art Workshop, Graduate School

Availability

The collection of paintings by Sylvia Rutkoff represents a significant and newly discovered body of American Abstract Expressionist work. These oils, acrylics, and mixed-media pieces: intense, colorful, and deeply original, are being offered for the first time. Inquiries are welcome from collectors, institutions, and researchers.


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