William Shields
San Francisco, CA | Texas & New York — 1925–2010A master of illustration turned abstract painter — Shields brought 35 years of visual ingenuity to large-scale oils built on color, wit, and hard-won draftsmanship.
Selected works
Bill Shields "The Fiddler" (1994) Oil on canvas 48" x 48"
Bill Shields "Micro Biomorphic Abstract Drawing III" (1990's) Pastel, pencil on board 2.75" x 2.5"
Bill Shields "Central Park" (1989) Oil paint and pastel on paper 16" x 13"
Bill Shields "Grey Lady" (1991) Oil on panel 48" x 36"
Bill Shields "Pink Abstract" (1970s) Oil on board 30" x 24"
Bill Shields "A Piece of Heaven" (1994) Oil on canvas 48" x 48"
Bill Shields "A Special Place" (1991) Oil on canvas 48" x 48"
Bill Shields "Kingdoms" (1993) Oil on panel 48" x 48"
Bill Shields "Blue Day" (1987) Oil pastel on paper 11.5" x 8"
Bill Shields "Micro Biomorphic Abstract Drawing " (1990s) Pastel, pencil charcoal on board 3" x 3"
Bill Shields "House" (1989) Oil pastel on paper 18" x 14"
Bill Shields "Playgrounds" (1996) Oil on panel 48" x 48" & "Blue Heaven" (1997) Oil on canvas 48" x 48"
Bill Shields "Snooze Fest" (1989) Oil paint and pastel on paper 43" x 29"
Bill Shields "Yellow Dialogue" (1970s) Oil on board 24" x 30"
Bill Shields "Upward Mobility" (1996) Oil on canvas 48" x 48"
Original oils and pastels available for placement — from intimate studies to large-scale canvases. Pricing and documentation provided on request.
“The purpose of my painting and illustration is to combine knowledgeable draftsmanship, abstraction or distortion with a unique sense of color — to achieve an individual style and personality.
— Bill Shields, Artist Statement, 1989About the work
The early years: Bill was born in San Francisco in 1925, grew up in Texas, and served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. When the war ended he was 21 and, by his own account, finally knew exactly what he wanted to do. He enrolled at the Chicago Academy of Fine Art and never looked back. Within a few years he had taken Houston, then San Francisco, then New York by storm.
The illustration career: For three and a half decades, his work appeared everywhere that mattered. Sports Illustrated, McCall's, Time Life. His clients ranged from NASA and the New York Stock Exchange to TWA and Bantam Books. He won Gold Medals from the Societies of Illustrators in New York, Los Angeles, and San Francisco (a rare triple) and was the subject of feature profiles in American Artist, Communication Arts, and Print.
The turn toward fine art: Following inspirational travels to Mexico and France, Shields turned his full attention to fine art. Moving through sculpture, assemblage, figurative painting, and landscape, he ultimately committed to large abstract oils, works of layered, energetic color built on the same rigorous foundation that defined his illustration career. He taught at the California College of Arts and Crafts, the Academy of Art College, the San Francisco Art Institute, and San Jose State University.
Bill Shields in his studio, 1960s
Exhibitions, Press & Recognition
Illustration Awards
Gold Medal — New York Society of Illustrators
Gold Medal — Los Angeles Society of Illustrators
Gold Medal — San Francisco Society of Illustrators
Dallas–Fort Worth Art Director's Club
Houston Artist's GuildEducation
Chicago Academy of Fine Art
(Illustration Major)
San Antonio Art InstituteExhibitions
San Francisco, CA
Connecticut
New York, NYSelected CLients
NASA
New York Stock Exchange
General Electric
IBM
CBS
Sports Illustrated
Bantam Books
Doubleday
TWA
Pan American Airlines
Japan Airlines
Neiman Marcus
Bank of AmericaPublications
American Artist
Communication Arts
Print Magazine
North Light
Better Homes and Gardens
Architectural Digest
Sunset MagazineTeaching Positions
California College of Arts & Crafts
Academy of Art College, SF
San Francisco Art Institute
San Jose State UniversityAvailability
Works by Bill Shields are available through private inquiry. His abstract oil paintings and pastel drawings represent a singular bridge between the commercial illustration tradition and the expressive freedom of the California fine art scene.
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